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The Who Sell Out : ウィキペディア英語版
The Who Sell Out

''The Who Sell Out'' is the third studio album by English rock band The Who, released in 1967 by Track Records in the UK and Decca Records in the US. It is a concept album, formatted as a collection of unrelated songs interspersed with ''faux'' commercials and public service announcements. The album purports to be a broadcast by pirate radio station Radio London. Part of the intended irony of the title was that the Who were making commercials during that period of their career, some of which are included as bonus tracks on the remastered CD.
The album's release was reportedly followed by lawsuits due to the mention of real-world commercial interests in the ''faux'' commercials and on the album covers, and by the makers of the real jingles (Radio London jingles), who claimed the Who used them without permission. (The jingles were produced by PAMS Productions of Dallas, Texas, which created thousands of station ID jingles in the 1960s and '70s). It was the deodorant company, Odorono, who took offense that Chris Stamp made a request for endorsement dollars.〔"B.O., Baked Beans, Buns and The Who", Rolling Stone. Vol 1 No. 3, 14 December 1967〕 "I Can See for Miles" was released as a single and peaked at #10 in the UK and #9 in the US.
''The Who Sell Out'' received widespread acclaim from critics, some of whom viewed it as the Who's best record and one of the greatest albums of all time.
==Background==
Even before the group had formed, the members of the Who had been profoundly influenced by rock n roll appearing on the radio. The BBC did not broadcast much music at the time, which was left to stations like Radio Luxembourg and then pirate radio stations such as Radio Caroline. By the end of 1966, the Who had achieved commercial success owing to the mod movement that made up a significant section of the group's early audience. However, the movement was fading, and the TV show ''Ready, Steady, Go'' that had boosted the group to fame, had been cancelled. The group started touring the US the following year, and started to achieve success with their live act. In summer 1967, the group's managers Kit Lambert and Chris Stamp suggested the band could create a concept album based on pirate radio and structure it in the same manner as that, or a typical US AM radio station. As pirate radio had been influential to mod, it was felt particularly appropriate to pay tribute to it. As well as the music, the inter-song announcements and jingles were a key component of radio, so it was decided to include a selection of humorous asides on the album. The Marine Broadcasting Offences Act came into effect on 15 August, outlawing all pirate stations and strengthening the album's effect as a tribute.
The first song to be written for the album was "Jaguar", paying tribute to the car, which was quickly followed by an instrumental the group had recorded for Coca Cola. "Armenia City in the Sky", was written by a friend of the band, John "Speedy" Keen. According to music critic Richie Unterberger, ''The Who Sell Out'' featured "jubilant" psychedelic pop music that veers between "melodic mod pop and powerful instrumentation",〔 while Edna Gundersen from ''USA Today'' said the album's style was power pop.
Having finished touring the US, including an appearance at the Monterey Pop Festival, the group returned to the UK on 16 September to start recording. They made progress on the album for the next three weeks; the first song to be completed was the single, "I Can See For Miles", released the following month. By October, the group had also completed "Armenia (City In The Sky)", "Early Morning Cold Taxi" and "Girl's Eyes". "Heinz Baked Beans", "Odorono" and "Top Gear" had been completed mid-month, along with a series of linking adverts and jingles mostly recorded by Entwistle and Moon. "Tattoo", "Odorono" and "Rael" were completed by 20 October, Most of the remainder of the album was recorded in between live shows at the end of the month. "Sunrise", a solo Townshend piece, was the last piece to be recorded on 2 November. The album was mixed by Lambert and Damon Lyon-Shaw intermittently throughout November, coming up with a finished master on the 20th.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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